Helmed by Bristol sound co-founder Geoff Barrow, this sharp-edged though slight debut feature turns a sceptical eye on 90s rave culture. Self-serving pillhead David (Marc Bessant) first robs an unconscious dealer, then in a later recollection tries to break into his own parents. In no time, he's upside down in the remains of his car in a forest – and subject to the wrathful eye of the Woodsman (Sleaford Mods frontman Jason Williamson). Declining to free David, with no time for townies, he is broken Britain personified: “You’re one of those noisy cunts from up on the heath.”
A Shaky Start and Darkly Funny Duel
Game gets off to a shaky start, lingering excessively on pedantically chronicling David’s attempt to extricate himself from his safety harness, while awkwardly transitioning into past scenes of his normal activities. The bigger point – that the rave-era youth were primarily out for number one – is clearly conveyed. But these vignettes are insufficiently developed to properly prime us for what to expect when the Poacher turns up, fuming after David kills his dog. Nevertheless, a darkly funny standoff unfolds – David eager to get away; the Woodsman denying his container of scrumpy, determined to soaking him instead in resentful talk. Williamson, projecting heavy threat in the role, is evocative of Michael Smiley.
Visual Flair and Promo-Inspired Vibe
There is only one key story turn, but it leads to a hilariously staged rampage on the woodland paths that veers toward rural terror. Filmmaker John Minton finally gets to go all in with his showy imagery: where he was hunkered down doing artful shots of insects in the light in the early stages, he now lets rip with the full lysergic 21-gun salute, accompanied by a frenzied keyboard rendition of Ravel’s Boléro. The movie resembles an elongated music video than a fully fledged drama, but there’s enough bold visuals to suggest that Minton could emulate Jonathan Glazer, Garth Jennings et al into successfully graduating from the Brit music promo scene.
The film is in UK and Irish cinemas from November 17.
